The xx - xx (2009) [24 bit FLAC] vinyl
- Type:
- Audio > FLAC
- Files:
- 16
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- 766.79 MiB (804041847 Bytes)
- Tag(s):
- 24.96 vinyl 24bit rock indie.rock 2009
- Uploaded:
- 2013-02-20 00:09:34 GMT
- By:
- 24.96
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- Comments
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- Info Hash: D5FF623576FDA1AAAC27FA1E5C6BFF6AF6969FAF
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The xx - xx (2009) [24 bit FLAC] vinyl Released: 2009 Duration: 38:34 Genre: Pop/Rock Style: Indie Rock Codec: FLAC Bit Rate: ~ 2,600 kbps Bits Per Sample: 24 Sample Rate: 96,000 Hz 01. Intro (2:08) 02. VCR (2:57) 03. Crystalised (3:22) 04. Islands (2:41) 05. Heart Skipped A Beat (4:02) 06. Fantasy (2:38) 07. Shelter (4:30) 08. Basic Space (3:08) 09. Infinity (5:13) 10. Night Time (3:37) 11. Stars (4:23) Debuts as fully formed and confident as the xx's self-titled first album are rare, but then, there is very little that is typical about this band or their music. Their influences are wide-ranging -- traces of post-punk, dream pop, dubstep, indie pop, and R&B pop up at any given moment -- but are focused into songs that are as simple as they are unique and mysterious. These tracks are so sleek, they're practically sculptural, and they boast impeccably groomed arrangements. The beats pulse rather than crash; the guitars are artfully picked and plucked; and the vocals rarely rise above a wistful sigh. This restraint and sophistication make the fact that the xx's members were barely in their twenties when they recorded the album all the more impressive; artists twice their age would be proud to call the maturity and confidence that flow seemingly effortlessly through the xx their own. Even their song titles are the perfect mix of concise and evocative: "Stars," "Shelter," "Night Time" (actually, all of their songs could be named this -- they're that intimate and sleepily cool). The moody, monochromatic sound the xx sets forth on "Intro" is lovely enough, but it's how the band subtly shifts and tweaks it on each track that makes the album truly special. "VCR"'s innocent guitars hint at the band's fondness for Young Marble Giants' radically simple indie pop, while "Infinity" leans more heavily on their post-punk roots, and "Heart Skips a Beat" underscores its name with wittily fractured rhythms. And while singers Romy Madley Croft and Oliver Sim sound good on their solo turns (Sim particularly shines on the spacious "Fantasy"), together they're truly inspired -- the aloof sensuality they generate makes romantic intrigue actually intriguing again. "Crystalised" might be one of the more intense songs here, but it still carries the confessional quality of a conversation between lovers, reaffirming what "heart-to-heart" really means. The standout "Basic Space" takes Croft and Sim's push-pull chemistry in an even more pop direction, but it's still awash in subtly fascinating details like its exotically rolling beat and Durutti Column-esque guitars. While the band's subtlety and consistency threaten to work against them at times, XX is still a remarkable debut that rewards repeated listens and leaves listeners wanting more.
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Indeed a delicious vinyl rip!
Thanks!
Thanks!
Again,thank you for providing high quality products.You are my personal hero this week.Only love & respect for you,24.96.GJ!
can you start going 24/192?
this for us with the golden ears. thx
this for us with the golden ears. thx
I see some people here have "golden ears". Let us constitute some pension funds for that fellas.
btw, the quality is great. thanx for the torrent.
I compared this vinyl 24/96 FLAC to the non-vinyl 16/44.1 FLAC/ALAC versions here:
https://thepiratebay.gd/torrent/9163238/The_xx_Discography_%282009__amp__2012%29_ALAC
https://thepiratebay.gd/torrent/5254030/The_xx_-_xx_%282009%29_%5BLossless_FLAC%5D
First of all, I think those two non-vinyl versions are the same as each other, so I'll treat them as one.
To me, the non-vinyl version sounds overmodulated. The vinyl version does not. This is backed up by Audacity, which shows massive amounts of clipping in the non-vinyl version and none at all in the vinyl version.
For me, the non-vinyl version sounds bassy and muffled, and the treble is indistinct. I found the bass in the vinyl version surprisingly robust (because bass is normally filtered in vinyl to avoid needle jumps), while also being accompanied by distinct and exciting treble, especially cymbals. This is backed up by Audacity's spectrum graphs, which show that the bass is basically the same between the two, but the mid and upper frequency amplitudes are very reduced compared to the vinyl versions.
The vinyl version does have pops and other noise that you would expect from vinyl, of course. If that doesn't drive you nuts, then the vinyl version is far superior, in my opinion.
Note: I am not an expert in this matters. Not at all. I do have a 24/96 sound card, though, and I know how to use it. ;)
https://thepiratebay.gd/torrent/9163238/The_xx_Discography_%282009__amp__2012%29_ALAC
https://thepiratebay.gd/torrent/5254030/The_xx_-_xx_%282009%29_%5BLossless_FLAC%5D
First of all, I think those two non-vinyl versions are the same as each other, so I'll treat them as one.
To me, the non-vinyl version sounds overmodulated. The vinyl version does not. This is backed up by Audacity, which shows massive amounts of clipping in the non-vinyl version and none at all in the vinyl version.
For me, the non-vinyl version sounds bassy and muffled, and the treble is indistinct. I found the bass in the vinyl version surprisingly robust (because bass is normally filtered in vinyl to avoid needle jumps), while also being accompanied by distinct and exciting treble, especially cymbals. This is backed up by Audacity's spectrum graphs, which show that the bass is basically the same between the two, but the mid and upper frequency amplitudes are very reduced compared to the vinyl versions.
The vinyl version does have pops and other noise that you would expect from vinyl, of course. If that doesn't drive you nuts, then the vinyl version is far superior, in my opinion.
Note: I am not an expert in this matters. Not at all. I do have a 24/96 sound card, though, and I know how to use it. ;)
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